Showing posts with label indie. Show all posts
Showing posts with label indie. Show all posts

Wednesday, 4 March 2009

Album review: New Rhodes- Everybody Loves a Scene

I remember the first time I saw New Rhodes on TV, we had MTV piped into our bedroom (oh those were the days) and the video came on and I thought he had the most Morrissey-esque voice. It was like a mini Moz, crossed with a bit of Pulp. I very much enjoyed their debut album and saw them live a couple of times, and liked them lots, especially the really giddily happy bass/and or guitar player (I can't remember which but he looked like all his dreams had just come true up on that stage)
They did make me feel about 100 years old because they looked so young but that's not their fault.
I didn't even know they had a new album out, I'm so out of the loop these days, but I read a student newspaper this week and it had a (bad) review of it in. It also had an article about how Morrissey wasn't as good anymore, so zzzzzzzzzzz.
Anyway, I digress. It's weird, the singers voice seems to have changed a bit, maybe it's matured, or they messed with it in the studio. Eithr way, they still sound lovely and poppy. I love the way he sings, and I love the energy of the band, they sound really fresh. The opening track is excellent. I love their lyrics too, they are cute and poignant, a bit like Emmy. I suppose it is retrospective, but it's putting a different slant on the old Britpop days.
Not sure about the song The Bells of St John where they go a bit maudlin. I liked A&E, the repetitive end part is really good. I always like songs about hospitals; Accident and Emergency by Patrick Wolf and Take Me to the Hospital by The Faint being trendsetters in that department.
I also very much like Is This The Life That You Want?' What a great title. 254 is about fancying someone on the bus. And why not? You Can Have It All ends the album nicely. There are no tracks that stand out as much as I Wish I Was You or You've Given Me Something I Can't Give Back but on the whole I thought the album was really catchy and enjoyable, and I think it might be a grower, too.
Do all the songs sound a bit similar? Yes. But there's no real bad ones, so who cares?
New Rhodes make me feel young. They can put that on the advert.

Tuesday, 24 February 2009

Album review: Emmy the Great- First Love

Emmy the Great is probably an acquired taste. I don't know that many men who are keen. When you put the album in itunes, it says 'folk'. But she is folk like Patrick Wolf is folk; not really. Personally, I'd call it pop.
Emmy sings really simple but lovely lyrics in a way that Lily Allen could only dream of. And it's because Emmy is clearly not a twat. She's a singer and poet. And she's just very, very honest, even when it's a bit twee, or a bit clunky. And I like that. Plus I very much like her voice.
So finally, the Emmy album. It feels like I've been waiting two years, but it's probably only one. Of course there is always a danger much-loved songs will be ruined 'in the mix' but you can't go too wrong with hers.
Weird to see things like Absentee on the album but no Edward is Deadward, which far superior in my opinion (and both about death). And I guess we should respect her for not bunging on her single Secret Circus, like Mozzy did so callously with All You Need is Me AND That's How People Grow Up. No Canopies and Grapes either. I guess these songs are just too old now, or she's just sick of them.
24 is a bit dreary as well, I prefer her more poppy ones. Sorry! As Simon Cowell would say, whilst resting his thumb on his cheek.
We Almost Had a Baby has a nice waltzy feeling to it, but I prefer Two Steps Forward, it seems stronger lyrically all the way through i.e. 'when love was just a feeling that ran out between my legs/ onto the back of my dress' which is horribly graphic but great. I'd like to have heard a studio version of that.
Oh dear, I don't like Easter Parade much either. Yet it made me feel like crying. Mind you, I cry at anything. Especially on Tuesdays.
Ooh, one I haven't heard before: Dylan. It sounds country-fied, it's Cassadaga-ed. Hmm. It's also got Cemetry Gates style lyrics.
On The Museum Island is moody and atmospheric but didn't make much of an impression on first listen.
Ooh, I really like War, which I also had never heard before. I'm a sucker for strings. Another one about death!
The title track First Love is about the song Hallelujah- everyone is obsessed with that! She even sings a bit of it in it. It reminds me of when Conor sings, 'you are my sunshine, my only sunshine' in the brilliant The Calendar Hung Itself. This song is good too, it's a bit epic and sprawling and confused and I like that.
I love, love, love MIA which I've had a scratchy version of forever. The lyrics are like a sick joke, they remind me of Stan for girls. Not sure about the recorder they've stuck on it, but it's just wonderful, touching and horrible and glib all at the same time.
Next is the Easter Parade Part 2. It kind of good having two parts to songs, even if I don't like them that much.
Bad Things Coming, We Are Safe is pure Bright Eyes Wide Awake it's Morning era. It has some of the Two Steps Forward tune to it, which gives it a Sugar Coma/ Boys on the Radio twist for you Hole fans (come on, I know at least five of them personally).
Everything Reminds Me of You reminds me of country Bright Eyes too, I think it's that reverberating guitar sound. But it doesn't really go anywhere.
City Song finishes the album. I like it but I don't love it, I have to say.
There's thirteen songs on this album and I think that's pretty good value. I like having the CD in my hand lately. I have bought Day & Age, Years of Refusal and this, and I like owning them, I like the tangibleness.
I watched Emmy the Great in the pouring rain at Glastonbury, and that MUST have been two years ago, because I didn't go last year. And it was all little girls watching. And me. Because I'm a little girl, too, inside my head. And I like Emmy. There is something special about her. Hopefully I'll go see her live soon.
At the weekend, my best friend said 'do we have to grow up?'. And the answer is, no.

Sunday, 18 January 2009

Orange Unsigned Act: Semi Final

Today I got up at the un-godly hour of 8am to go to the semi-final of the Orange Unsigned Act show. Even arriving then though, we missed Alex Zane mentioning Alex James love of cheese and Bo Bruce's song (pretty annoying as she's my second fave). Also, why did Alex James say at the start he wanted to hear something 'new' when they were playing their best songs? Wake up, grandad.
Oh, I take that back as Bo DID play something new. Pretty brave! I liked that song, I wish I'd been there to hear it! She looked good on TV and we saw her wandering round at the Riverside studios and she looked cool, I liked her outfit. Was she at a disadvantage going on first?
So we arrived in time for Scarlet Harlots. I thought they were excellent live, they have really good energy, and are very cool. I think they are the most honest band in the competiton. They seem real. I'm glad they went through.
Hmm, WHY didn't they put Toby Sebastian on first so I missed him instead of Bo? Althought actually, I thought this weeks song WAS his best song. His voice does sound nice in the studio, but nice isn't really what I demand from my indie idols. Still, he did play effortlessly. Not sorry in the slightest to see him go though, unlike Simon Gavin who must be crying into his little beard as we speak.
I thought the judges comments were all pretty lame today. They clearly hadn't been practising their insults in front of the mirror. Alex James calling Toby Sebastian posh was a bit silly, it's not his fault, is it?
I didn't really rate Hip Parade; I know it's unpopular; but I find them a bit generic. I still don't like that putting 'radio' in the title, it's too cynical. They are a bit McFlyish, I think. It's singalong, but it's not for me. I liked his haircut though; I like a bit of ginger.
I thought Tommy Reilly was on fine form today (biased!) He did my favourite song and his voice sounded great. He is a raw talent. I love his face when he gets compliments from the judges; he looks geniunely baffled.
The results! Bit gutted Bo didn't go through; but pleased that Scarlot Harlots did. It's quite telling that The Wombats are less talented than any of the semi-finalists, in my opinion. Can't we take their record deal off them and give it to Bo?
I think it should be noted that all the acts who went through have featured in my blog lately; Bo & Toby should REALLY have answered my interview questions already! I have the POWER. I can make or break you!!!
And with that in mind, Tommy to win. I want to hear his album.

Friday, 16 January 2009

Orange Unsigned Act: The Interviews

This week I interviewed the Orange Unsigned Act contestants... tonight's installments comes from the bands; Scarlet Harlots and Hip Parade. Enjoy!


Grab this for a chance to be at final!


Rob from Hip Parade:

1. Who's the best ginger in Eastenders, Bradley or Max?
well Bradley, cos Max is evil! (Max is the dad, yeah?)

2. Have any of you ever worn a dress? How did you look? If not, do you fancy it? Ive not, no... I dont have the legs for it!

3. Have you seen the Loch Ness Monster?
Yes.

4. What does a Hip Parade involve?
Ringing ears, pizza, Irn Bru and lack of sleep!

5. Do you think you can win the show? Will you win it?
We need to win it to get out of our boring day jobs!! We have done all we can to prove ourselves in the show. Its now in the hands of the public!


Grab this for a chance to be at final!


Tom from Scarlet Harlots:

1. What other colour harlots do you like?
Just as Will Smith said in his heavy 90's tune Miami; '...Real sweet faces, every different nation, Spanish, Hatian, Indian, Jamaican, Black, White, Cuban and Asian." If you're a Harlot, you're in!'

2. Would you rather have a cheese supper with Alex James or a years supply of Dairylea lunchables?
Dairylea. Next question.

3. Have any of you got recognised yet? What happened?
Geoff gets recognised regularly. Some (lovely) girl ran across the road screaming things at him in London the other week, almost at her peril, as the traffic was peaking. A conversation ended with the girl complimenting the whole Scarlet Harlots vibe, so all was good.

4. Is there a Yoko Ono figure in the Scarlet Harlots' story?
Yoko Ono's Flux film offerings were pretty wafty in all honesty! If you're asking about intense female characters in the Harlot hareem, then yes is the answer, but they're there for the right reason!

5. Do you think you can win the show? Will you win it?
We can win the show if people are feeling us. There's way more to us than what you see on stage and your TV. The Harlot bug is spreading and if web numbers are anything to go by, we should make it to the final.

Tuesday, 13 January 2009

Orange Unsigned Act: Not a catchy name for a show.

How about the Alt. Factor? Indie Idol? I suppose they wanted to squeeze 'orange' in. (That was almost a joke)

FYI: Have I mentioned I like Tommy Reilly? Jo Wiley's face is highly amusing in this. I think she's whispering in that guy's ear that she's got the hots for him.


Grab this for a chance to be at final!">

I also like Bo Bruce, her voice is lush:


Grab this for a chance to be at final!">

This blog was sponsored by lightupvirginmary being a ligger. It's all downhill from here, I'll be singing the praises of Michelle Heaton next week if someone gives me 50p and a sausage sandwich. (Don't tell MOZZY!)

Sunday, 4 January 2009

T4: Orange Unsigned Act

In my usual vein of being into things that are aimed at people a decade younger than me, I have very much been enjoying Orange Unsigned Act, or the indie X Factor. I didn't watch it last year, and I wish I had as it's damn good fun. I'm always put off by the collection of snidey cunts who present T4, but if you can bear to sit through two seconds of them, it's worth it for this. Oh, and another warning; the actual show is presented by fake-it-so-real-he-is-beyond-fake Alex Zane. If I can live through his guyliner in place of a personality and his brand-new topman indie gear schtick, then you can. I just like to stick my fingers in my ears until he goes away. It works reasonably well.
So, onto the judges! In Simon Cowell's role is some record company exec guy 'the money' who looks like that sweary bloke from Dead Set crossed with the new Dennis the Menace's dad. Louis Walsh is played by everyone's least favourite member of Blur; Daily-Mail-pandering cheese-enthusiast Alex James. And in Cheryl Cole's shoes, is everyone's favourite member of Kenickie (OK, I have no recollection of the other two) Lauren Laverne. Who could say a bad word about Lauren? Not me. She rocks.
The weird/ best part is some of these bands/ singers are actually very good. I particularly like spotty-but-sweet Tommy Reilly and posh, Princess Diana-a-like Bo Bruce. Today's show saw them supporting McFly! But don't hold that against them.
Toby Sebastian is the dullest of the group; he covered Corrine Bailey Rae recently, so that probably tells you all you need to know. Like a prettier James Blunt, he'd probably go far on the real X Factor. He might even win this if money-dude gets his way. Showed he had no personality whatsoever during the interviewing task. Played a song that was dull beyond belief. Losing in front of his home crowd, as someone who is VERY good at interviews once sang.
Scarlet Harlots (not to be confused with Jamie Oliver's band, the equally awfully-named Scarlet Division) are alright; they are trying DESPERATELY hard to be cool, and succeeding to a degree. The lead singer has an interesting face. They are a bit shambolic but I think that's OK. Today's song sounded a bit ska-ish. Alex Zane was nodding along, so there's the kiss of death. Haha, he of the stupidly-named kids (Geronimo, anyone?) Alex James said they needed a chorus like 'uh oh, we're in trouble' by Shampoo! Their faces were a picture. Oh my god, then Alex James said 'look at me whilst I'm talking to you!'. Rex revival!!! DO YOU LOVE ME, NICOLE? DO YA? DO YA?
This is TV gold.
Tommy Reilly went to meet Scott Mills who is apparently 'influential in music'. And the blandest man on earth. Tommy came across as self-deprecating and charming as usual. I liked the song he played, the guitar was quite Bright Eyes-ey. I like his foghorn style of singing, I like singers with imperfect voices who shout a bit (Conor, Courtney & so on). I really like that song of Tommy's with that lyric of his 'give me a call, you got a phone don't you?' It's so simple, but it just gets lodged in your brain. That's good song-writing for you.
Bo Bruce is cool; she has a great voice and a bad attitude, which is a good combination. I like the way she's a bit posh and arrogant and she doesn't play nice. She definitely has balls. Clashing swords with Lauren Laverne is a little dangerous though; especially when Lauren is voting on your career. I really liked that song Bo sang though, I thought it was pretty catchy. Lauren looked a bit miffied when Bo's friends heckled her. I don't think it was true that Bo's not as good as the others though. I think she's the second best, after Tommy.
The final act in the competition is Hip Parade. They were good in the interview. I don't like their music though. It's catchy, but kiddie rock, I think. A bit crass of them to write a song with 'radio' in the title; as we all know songs with 'radio' in the title get played on the radio lots more than songs that don't. That doesn't make them good.
It was a shame the Scarlet Harlots went. They should have ditched Toby Sebastian, but I'm glad Bo survived. For the vote-back show next week, I'd vote back in Scarlet Harlots or Klaus Says Buy The Record, mainly cos I fancied him (ahem).
PS: Alex James. Lay off the cheese, for fuck's sake, fatty.

Sunday, 2 November 2008

Peaches: Disappear Here (MTV)

My best mate once said 'hasn't Peaches Geldof got a peculiar face?' and never has it been more evident than in this show. She also seems to have a bit of a lisp, or a blocked up nose, or is it just that generic thick-tongued posh accent? I can't tell the difference. Either way, she should get it looked at (or lay off the coke). Also, she appeared to have a double-chin and a fright wig on.
So this show saw Peaches starting up her own magazine of extremely pretentious-looking people. However, you had to pity them; the thought of that retard bossing me around is just beyond the pale. I'd rather go suck cock on a street corner.
Listening to her bang on about what alternative culture was just painful, like seeing a 10 year old in a Sex Pistols t-shirt. She's about as alternative as Girls Aloud. How alternative is nepotism anyway? Ooh she hates the Kooks. Even that fucking lead singer's own mother would hate that shit. Big wows. The funny part is I watched this on the MTV video player thing which was advertising the bloody Kooks album in the corner! Cutting edge.
The whole thing stank of fake anyway; all the writers looked like models who'd just stepped out of a salon, Peaches's 'PA' seemed like she was on her first job out of acting school. The set (sorry, magazine office) looked like the IT Crowd.
Listening to Peaches say 'As a writer...' was offensive to the ear. Also, I've also only ever heard a complete idiot describe another person as a 'try-hard'. How old are you, you desperate moron?
This pig in a dress shouldn't be allowed out after 10pm, let alone be allowed to marry. Truly terrifying.